Fry cook games 2001 shirt

From the Fry cook games 2001 shirt Apart from…,I will love this idea of cross-pollination—the creative mash-up of cultures and traditions—Gn drew inspiration for a collection that also marks his 30th year in France. During a visit to his showroom, the designer recalled how his mother used to take silk from Japanese obis to make a Singaporean national costume or an Indonesian batik to fashion a cheongsam or a skirt suit. “My family history is all about cross pollination; they brought things with them and transformed them,” he said. Blending that idea with this season’s salient trend, Gn added that, for him, “the new minimalism is maximalism of color.” Which is why a salt-and-pepper tweed jacket with tinted ostrich feather cuffs might have handmade cameo buttons with the likeness of a gladiator, or a revisited Mayan mask with dangling pearls. Those vibrant flourishes appeared in many iterations in a lineup the designer called “classic Gnette,” spanning strong-shoulder minidresses, lavishly pleated gowns, flowing fringed numbers in jewel tones, and the embroidered coats that his loyalists collect year in, year out. For prints, Gn looked to the things around him that he loves, like a Limoges porcelain vase he bought from the flea market with roses so bright, they’re almost kitsch (“I’ve always wondered if that was made for an export market,” he quipped). Those became a print in bright mint and pale yellow that the designer mused one might find on fabrics from South America. Elsewhere, a chrysanthemum print was reworked and recolored from a Suzy Wong collection a few years back.

Fry cook games 2001 shirt, hoodie, tank top, sweater and long sleeve t-shirt

In the Fry cook games 2001 shirt Apart from…,I will love this recent past, Gn was one of the designers lucky enough to find himself still producing lamé pleated gowns in mid-lockdown. Now that things are opening up again, his clientele’s social calendars are heaving with destination weddings. With some 80 looks to choose from here, they’ll probably find what they need. For many a heritage fashion house, there comes a point when the clothes have to reclaim credibility from a celebrated perfume to reconquer hearts and—even more importantly—eyeballs. Which is where Nina Ricci finds itself today (it’s in good company, but that’s another story). That’s a heavy mantle to put on its third design team in five years or so, especially when the collection in question is just a placeholder (more on that in a minute). Having long worked in-house—and before that at Yves Saint Laurent for nearly two decades—design director Nana Baehr knows a thing or two about pulling together a collection under pressure.