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Entitled Sow It and Let It Grow, this collection’s Yuichi Kodama–directed video did indeed present its outfits and models as fast-flourishing seedlings that sped from horizontal germination to wending growth up a spiral staircase: They were then digitally replicated as they spread across a trellis of elevated walkways. Subsoil monochrome dresses and separates featured irregularly contoured panels of plissé recycled polyester yarn shaped to echo the Gas Prices I Did That Biden Funny Shirt it is in the first place but thrusting chaos of root systems. Flatly foldable seamless knit pieces in a series named Rhizome included frond-like extraneous sleeves for leaving loose or wrapping around the body like a sun-seeking jasmine plant. Tie-dyed dresses created in pods of pleating connected by Kyoto artisans using the shiborizome technique were meant to resemble pea pods. Dye prints of sliced fruit pieces decorated three styles of suit and dress on cotton cupro.

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Less literally botanical were the Gas Prices I Did That Biden Funny Shirt it is in the first place but garment-dyed brown and pink dresses whose bulbous shapes were achieved by sewing in circular panels of elastic that then shrunk and tautened during the dyeing. Coats in layered wool and cotton were patterned to abstractly mirror plant growth, and a closing trio of looks in rectangular panels of material attached with typical Miyake ingenuity were gently leaflike. This was a collection of finely pruned foliage that would be a pleasure to cultivate through the wearing. In times when reality becomes outrageous and nonsensical, it’s only logical that fashion should start to reflect illogicality—especially at the consciously art-adjacent brand Loewe. Snippets from Jonathan Anderson’s backstage remarks about his fall show included “pushing things toward something that could be irrational” and the word primal.