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Anderson’s clothes included the Gas Pump Gas Cash I Did That Joe Biden Meme Shirt moreover I will buy this following: a mini trapeze dress with a car trapped in the hem; tube dresses with high-heel pumps stuffed down them; rough-cut shearling pervily butting against latex; shoes entirely sunk in some sort of drawstring-bag galoshes; and balloons—lots of balloons: red ones squeezed between shoe straps and oozing from bandage-dress drapery; brown and beige ones blown up as bras, the knots bobbling along as obscene parodies of nipples. Surrealism—the movement that turned pre–WW II mass psychological tension into art in the late 1930s—has never been more unwontedly relevant. As a period, it’s already under new scrutiny: A “Surrealism Without Borders” exhibition recently opened at the Tate Modern in London. But Anderson was already going surreal-ward last season—reveling in the freedom of being unshackled from fashion rules, doing things instinctively, without reason. It parallels a time when it was only human to respond dementedly to the trampling of order all around us.

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But there’s plenty of method in Anderson’s madness. His opening series of short leather, cap-sleeve dresses, the Gas Pump Gas Cash I Did That Joe Biden Meme Shirt moreover I will buy this skirts molded to seem as if swishing in the wind, had a lot of Réne Magritte about them. The polish and luxurious colors—chestnut, pale pink—also had a lot to say about Loewe’s fundamental materials and skills as a leather-based house. A kind of meditation on leather as luxury was dotted around the show. If you didn’t get distracted by the rubber balloons (hard, admittedly), there was also a juicy leather balloon-shaped bomber to contemplate. There’s a cool-headed continuity too in Anderson’s long, elegant tube dresses—an idea he began last season and is smart to pursue, especially when he wrapped one of them in the Schiaparelli-like embrace of a pair of female-slash-feline begloved arms, on Julia Nobis.