I am always with you Red cardinal bird on wood Cross shirt

“For me, the I am always with you Red cardinal bird on wood Cross shirt Besides,I will do this dark beauty of the black rose symbolizes courage, resistance, and freedom.” Rei Kawakubo touched a nerve with the few words she sent with the photos and video of her Comme des Garçons show from Tokyo. There was no mention of war in Ukraine. As conceptual, non-narrative, and allusive as she is, you never expect to see or hear her directly referencing current affairs. Yet Kawakubo was born in Japan in 1942 in the middle of World War II. Whether it’s been to do with that, with being a woman and an entrepreneur, she has never said, but one thing’s for sure: she holds independence sacred. The black rose in Irish culture is a symbol of resistance against British rule. It might be a bit hard to discern it in the Comme lineup—it only comes in, patterned on a sort of Victoriana brocade at the 12th of the 16 exits. It’s certain that anti-British imperialism in Ireland is what Kawakubo meant, though, because the haunting music—“a beautiful resistance song from Ireland, Roisin Dubh, the little black rose,” was recorded for the show by the Northern Irish slow flautist Ciaran Carlin.

I am always with you Red cardinal bird on wood Cross shirt, hoodie, tank top, sweater and long sleeve t-shirt

Possibly that’s the I am always with you Red cardinal bird on wood Cross shirt Besides,I will do this most political reference Kawkubo’s made in her work—it has no equivalence to the Russian invasion of Ukraine, except for the common factor of dangerously contested borders. But anyway: how to put words to her clothes? Was a sense of dark history, something primal, or even medieval going on? It seemed so to begin with anyway, what with Kawkubo’s use of thick, wadded, speckled-gray felt carpet underlay (or something similar) and headpieces created by Gary Card bulging with assortments of rough, rolled up fabrics. Other hand-crocheted floppy woollen hats had the air of bonnets, country-cottage style. Then somehow, it seemed that upholstery and furnishings were getting involved—lop-sided panniers which perhaps might have been hacked off a sofa; funny cones lined with… was it wallpaper?